About
Set design
For the Spring Summer 2020 Etudes show, JMStudio proposed a new version of Justin Morin’s installation « How to screen Mishima a life in four chapters ». By rearranging the four panels into a straight line, a semi-transparent coloured background has been created, offering a graphical response to the Etudes garments.
Date of the project : 2019.
At the occasion of the Woodkid concert proposed by Louis Vuitton, JMStudio created a minimal set design echoing the beauty of the Lincoln Center’s Alice Tully Hall. Composed by a series of wood benches and platforms for the ensemble of 38 musicians, the stage design celebrates its magnificent organ. In order to make the volume the less disruptive possible, the wood used is similar to the stage’s one. The minimal aesthetic disappears behind the sensitive powerness of Woodkid’s music.
Date of the project : 2017.
An extension of the set design for Louis Vuitton's Fall Winter 2016 fashion show, this series of windows designed for the brand's stores features a series of mirror sculptures. While the show featured broken columns, revealing an archaeology of the future, here the buildings are intact. The windows offer a glimpse of these monuments before their decline.
Date of the project : 2016.
For Louis Vuitton's Fall-Winter 2016 fashion show, JMStudio proposed an alternative vision of Melted Bones, a concrete and mirror sculpture by Justin Morin. In the set designed by Es Devlin, gigantic columns of broken mirrors create a labyrinth of reflections similar to an underwater forest, playing on the idea of “archaeology of the future”.
Date of the project : 2016.
At the occasion of the Carven Fall Winter 2016 Men’s presentation, JMStudio created an installation made of coloured background and featuring animations inspired by the prints of the collection. A blue carpet structured the trajectory of the models, walking and posing on the rhythm of the soundtrack created by French pop band The shoes. The floating walls, the screens and the floors acted as layers of visuals interpretations of the collection.
Date of the project : 2016.